The game is so big, so daunting, and so full of unique people and places that you know your decisions will help some but hurt others. The game uses its sprawling geography to literalize these groups, and where you choose to spend your time, who you choose to help, and how you do as much establishes your personal politics inside the game world. From the intro screen, the game establishes two core feuding factions, and as the game progresses those factions further divide themselves by leaders and collectives with their own wants and needs, allies and enemies. But what I haven't seen discussed as thoroughly is what that scope allows for, which is a staggering amount of complex politicking. And what they spoke about always felt too small and personal, as if conversations and choices in the micro level were standing in for larger problems outside my control on the macro level.ĭragon Age: Inquisition has rightfully received praise for its scope, its collection of open worlds that individually feel like complete, standalone games that taken together feel impenetrable and exhausting. But I never really related to the heroes of my journey, who always felt more puckish or sarcastic or brave than I'd like. You have the choice to play with the frameworks of good, evil, and the moral gray space of dark fantasy and science fiction. Its games allow you to choose your race, gender, and often your sexuality and romantic partners. Role-playing games have long received praise for their inclusivity, particularly those made by BioWare, the studio behind Inquisition.
I return to the game day after day because I care about her, which is really saying I care about myself. My character and her choices, or should I say her right to make those choices, is what I find most affecting. Smart dialogue, likable characters, and a beautiful setting, which often looks like Hollywood matte paintings, help this fantasy world feel earthly. For a game about elves, demons, dragons, and a tear in the fabric of reality, it all feels human.
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And so I'm surprised to find myself not just 20 hours into Dragon Age: Inquisition, the third part of a series I've ignored, but with enough enthusiasm and curiosity to possibly reach its conclusion another 60 hours away.įor the first time, an enormous fantasy role-playing game, steeped in sticky mythos, feels accessible. What I didn't say then is that while I don't finish many games, there's an entire genre I rarely even start: the role-playing game.
I recently vented at length about my apathy for finishing video games and specifically bemoaned the big budget "style," in which a small, interesting idea is hidden inside a two-ton container of filler.
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